He's still getting settled, geeked to finally have cable and WiFi set up and intrigued by his on-demand channel's deep selection of hip-hop movies. But I have a lot of shit to do, and that takes priority. He keeps a deliberately regimented day schedule. He throws the first pitch at a Pittsburgh Pirates game , coolly avoiding a 50 Cent errant pitch debacle. A tour of the states is underway now, his first, he notes incredulously, in two years. If anyone knows him, please go check on him right now.

Mac Miller 2009 Instrumental (ReProd Treyten)

If anybody knows Mac Miller, call him and tell him you love him. In Mac Miller moved from his native Pennsylvania to a house in Studio City, California, a neighborhood in the Western reach of Los Angeles equidistant from both downtown and the parks and mountains outside city limits. It is by turns a swatch of old showbiz grandeur — it literally takes its name from a nearly century-old CBS studio lot—and a posh stretch of the homes of scores of Hollywood elite.

Mac and [studio engineer] Josh Berg made the extra room by the pool into a studio. Watching Movies with the Sound Off , his sophomore studio album, pulled off the admirable feat of shaking the frat rap complaints that dogged his early work, a stream of happy-go-lucky mixtapes by a kid excited about rap but not yet acclimated to the chemistry of the craft. Delusional Thomas teased out darker themes with a Quasimoto-like alter ego.

Stolen Youth bolstered the voice of Vince Staples, a great rapper who, at the time, was hesitant about centering his focus on his art. Two years before Vince's bleak, vital Summertime '06 , Miller says it took ample coaxing to even get him in a studio; he handed the Long Beach MC a collection of beats under his production pseudonym Larry Fisherman "because that was the only way to fucking get him to rap," and the collaborative mixtape Stolen Youth was born.

Mac Miller and Vince Staples Grew Into Their Own on ‘Stolen Youth’

Privately, the comfort of the home studio made it conducive to more than just good music. You can disappear.


We actually shot a movie. Miller became wary of the party life and his role as a mascot for it in the spring of He also felt like a terrible role model. Miller pecked away at the body of songs that would become GO:OD AM over two years, obsessed with making his proper comeback album his best. I ask why Mac has elected to open this new chapter of his career in New York City, suspecting that the dense, hectic Big Apple is an urban antithesis to the seclusion of the LA hills.

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The mixtape is the follow-up to Miller's second studio album Watching Movies with the Sound Off , and is considered by many fans to be his best work for its dark and personal exploration of Miller's struggle with drug addiction. Miller produced most of Faces himself, and moved towards creating more psychedelic and jazzy instrumentals for his increasingly dark lyrical themes. Yet, its jazziness is not a departure from Miller's previous work, acknowledging the project he released under the alias, Larry Lovestein titled You that was centered around jazz instrumentals.

It continues to build upon and experiment with the psychedelic sounds of Watching Movies with the Sound Off. It was named "Mixtape of the Week" by Stereogum on May 14, , [4] given a 7. Mac Miller serves as the executive producer under his production pseudonym "Larry Fisherman", serving as the sole producer for over half of the songs on the track list. Faces includes various spoken word and movie samples interspliced throughout the album. Schoolboy Q is featured on the third track "Friends", but does not have a verse.

Space Migration Tour (Mac Miller, Earl Sweatshirt, Chance the Rapper) - Allston Pudding

Instead he provides ad libs and the 'Miller Mac' chorus, similar to his work on " Pneumonia " off of Danny Brown's album Atrocity Exhibition. Ab-Soul is listed as a feature on "Polo Jeans", but only his trademark 'Soul! He originally had a full verse on that ended the song, but requested Miller remove it before the album was officially released.

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The original version with his verse still remains unreleased. Faces was met with positive reviews upon release, and noted for its themes and exploration of psychosis, addiction, and mortality. Many regard it as perhaps Mac Miller's greatest work, and laud Miller's unique, jazzy production as some of his best.

Follow the Fader

Faces has gained significant cult status amongst rap fans as one of the best mixtapes ever released, particularly during the internet mixtape boom of the early 's. It was released at the end of a particularly prolific period for Miller and many of his close friends and collaborators in the rap underground, including Earl Sweatshirt, Vince Staples, ScHoolboy Q, and Ab-Soul, all who are featured on Faces. Faces was rated the eighteenth best rap album of by Rolling Stone.

From Wikipedia, the free encyclopedia. Mac Miller. Hip hop neo-psychedelia cloud rap experimental hip hop jazz rap. Larry Fisherman also exec. Malcolm McCormick Stephen Bruner.

McCormick Quincey Hanley. McCormick Antoine Reed.